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Gods Transcending Temples of Man

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A second photo from the series taken at Ta Promh, a group of buildings and temples near Angkor Wat, shoes how trees have wrapped themselves around doors, walls and windows of one of the temple structures.  I took the photo in the late afternoon, a time when light coats everything with a sheen of gold.  Though the scene is one of abandonment and decay, there remains a strong sense of what was in place in the times before abandonment.  There is a feel of almost holiness as if this was a once-upon-a-time favoured place of the gods.

As I look at the photo, I almost sense a heaviness, a depression.  Yes, this is a holy place, but the intent of ego which was responsible for building the temple has been overthrown.  The gods have responded to the ego and not in the expected manner.  As Hollis would explain it, “the ego’s agenda is overthrown” (Hollis, Mythologems, p. 109).  What is it that overthrows the intentions of ego, the plans of men and women?  Listen to Carl Jung’s thoughts on this matter:

“I know of the existence of God-images in general and in particular.  I know it is a matter of a universal experience and, in so far as I am no exception, I know that I have such experience also, which I call God.  It is the experience of my will over against another and very often stronger will, crossing my path often with seemingly disastrous results, putting strange ideas into my head and maneuvering my fate sometimes into most undesirable corners or giving it unexpected favorable twists, outside my knowledge and intention.” (Jung, Letters, vol. 2, pp 522-523)

God then is a personal god, one with which one battles.  One knows that this god is present and has a presence that transcends all that one knows.  Yet this personal god with whom one wrestles is also bigger than just a personal god for one person.  This transcendent otherness is also engaging others and in found in places and within images.  One knows this presence through some aspect of self and consciousness that is found only on the edges, a numinosity.

This image holds that sense of numinosity for me.  This was a place for the gods, and curiously the photo “glows” pointing back to the gods that have transcended the time and place.  And what is left becomes a temple that points to a God transcended, not a god tamed by man, contained by man’s stonework.


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